THE PLAY OF DANIEL AND THE INTERPRETATION OF SACRED HISTORY IN THE LITURGICAL PRACTICE OF THE RUSSIAN ORTHODOX CHURCH IN XVI–XVII CENTURIES
The article analyzes the interpretation of Sacred history to the rite of Play of Daniel performed in the Russian Orthodox Church in XVI–XVII centuries, examines the origin and content of the liturgical rite, the problem of the boundaries of the sacred and the secular in the Play of Daniel event, the problem of interpretation of the Trinitarian dogma, the particular interpretation of the events of Sacred history. It is concluded that the installation on the existential experience of the Sacred history has led to the mobility of the boundaries of the sacred and the secular in the Play of Daniel action that constituted a special view on Trinitarian doctrine and a special relationship to the events of Sacred history that is relevant to believers not only in Liturgy, but in everyday life. From the 2nd half of the XVII century there was a gradual desacralization of ritual in connection with the General trends of secularization and secularism that leads to the transformation of liturgical rite into a liturgical drama. However, the interpretation of Sacred history relevant to the present day continues to exist within the culture of the Old Believers.
Keywords: the Play of Daniel, Orthodoxy, Trinitarian dogma, spatial icon, sacred, secular, secularization, desacralization
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Issue: 2, 2016
Series of issue: Issue 2
Rubric: ARTICLES
Pages: 37 — 52
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