EMBODIED MEANINGS AND NORMATIVITY. SOME REMARKS FOR A NEW CONCEPT OF ART
The contemporary art world – namely, the current artistic and cultural situation, which emerged at the beginning of the Twentieth century – has led to a process of profound rethinking of the relationship between art and law. This relationship is inherent in the very concept of art and is as old as the history of the arts. In particular, the relationship between art and law, as it has structured itself from the beginning of the Twentieth century, has two vital functions – one of which is intrinsic to the concept of art, the other being extrinsic – the understanding of which is essential to investigate the contemporary art world.
Keywords: Art, Ontology, Embodied Meanings, Normativity
References:
Ajani, Donati 2011 – Ajani G., Donati A. I diritti dell’arte contemporanea. Allemandi, 2011.
Andina 2013 – Andina T. The Philosophy of Art: The Question of Definition. Bloomsbury Academic, 2013.
Biro 1995 – Brancusi contre Etats-Unis, un proces historique, 1928. Ed. Adam Biro. Paris, 1995.
Dickie 1974 – Dickie G. Art and the Aesthetic: An Institutional Analysis. Cornell University Press, 1974.
Eco 1989 – Eco U. The Open Work. Harvard University Press, 1989.
Wieand 1981 – Wieand J. Can Be An Institutional Theory of Art? The Journal of Aesthetics an Art Criticism. 1981. 39 (4). P. 409–417.
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Issue: 4, 2015
Series of issue: Issue 6
Rubric: ARTICLES
Pages: 11 — 27
Downloads: 1350