Praxema TSPU
RU EN






Today: 09.01.2026
Home Search
  • Home
  • Current Issue
  • Bulletin Archive
    • 2025 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2024 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2023 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2022 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2021 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2020 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2019 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2018 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2017 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2016 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2015 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2014 Year
      • Issue №1
      • Issue №2
  • Search
  • About Publisher
  • News
  • Editorial Board
  • Editorial Council
  • Regular journal reviewers
  • Information for Authors
  • Peer-reviewing procedure
  • Editor’s Publisher Ethics
  • Contacts
  • Place article
  • Subscribe
  • Service Entrance
vestnik.tspu.ru
praxema.tspu.ru
ling.tspu.ru
npo.tspu.ru
edujournal.tspu.ru

Journal on the history of ancient pedagogical culture
Search by Author
- Not selected -
  • - Not selected -
Яндекс.Метрика

Search

- Not selected -
  • - Not selected -
  • - Not selected -

#SearchDownloads
1

PORTRAIT OF WOMENS: REFLECTIONS ABOUT THE ITALIAN CINEMA // ΠΡΑΞΗMΑ. Journal of Visual Semiotics. 2015. Issue 2 (4). P. 82-93

We continue to consider a cinema of Italy in optics of gender researches. In this case standard cliches of “ideal” metaphors of the female are analyzed. Among them: subject of loneliness and victim, images of the seductive star and pure maiden, melancholy for beautiful mother and female courage. It is obvious that the format of article doesn’t allow even to list all considerable movies from the Italian cinema tradition. We dared to stop in several pictures in which a peculiar portrait gallery is presented, from our point of view, representatively.

Keywords: cinema history, Italian cinema, gender researches, standard cliches, metaphors of the female

1960

2026 ΠΡΑΞΗMΑ. Journal of Visual Semiotics

Development and support: Network Project Laboratory TSPU