MEMORY THEATRE: A CASE STUDY
DOI: 10.23951/2312-7899-2019-1-150-155
The article deals with the issues of cultural memory, memory as a commitment and ethical and artistic aspects of remembering (including memory and oblivion of Shoah victims). The author presents these issues in the context of Robert Fludd’s concept of “ars memoriae” and discusses them on the example of artistic, social and educational activities of the “Grodzka Gate - NN Theater” Center in Lublin (Poland).
Ключевые слова: memory, remembering, memory theatre, Shoah, Lublin, “Grodzka Gate – NN Theatre” Centre
Библиография:
Draaisma 2000 – Draaisma D. Metaphors of memory: A History of Ideas about the Mind. Transl. into English by P. Vincent. Cambridge, 2000.
Godwin 1979 – Godwin J. Robert Fludd: Hermetic Philosopher and Surveyor of Two Worlds. London, 1979.
Herbert 2008 – Herbert Z. The Collected Poems: 1956-1989. Trans. into English and ed. by A. Valles. London, 2008.
Hudzik 2018 – Hudzik J. P. Tomasz Pietrasiewicz: sztuka i pamiec Zaglady. Teatr pamieci Teatru NN. Flesze. Ed. by P. Prochniak. Lublin, 2018. P. 41–72.
Huffman 1988 – Huffman W. H. Robert Fludd and the End of the Renaissance. London, 1988.
Konteksty 2017 – Misterium bramy. Antropologia pamieci. Konteksty. Polska Sztuka Ludowa. 2017. 3 (318). URL: http://www.konteksty.pl/numery/77
Выпуск: 1, 2019
Серия выпуска: Выпуск № 1
Рубрика: СТАТЬИ
Страницы: 150 — 155
Скачиваний: 1533